Wong Kar-wai, Tony Leung and Zhang Ziyi attend the Berlin Film Festival

 [youtube=http://www.youtube.com/watch?v=RV__mA-SYug]
[youtube=http://www.youtube.com/watch?v=W5LyWPnzdrU]

Sina:

The 63rd Berlin Film Festival officially opened on the 7th February. Though none of the 19 films that compete for the highest honour Golden Bear prize are Chinese; luckily the Wong Kar-wai directed film ‘The Grandmaster’ is the opening film. Director Wong is the head of the jury and he led American actor Tim Robbins and the rest of the jury to meet the media. In the afternoon he hosted ‘The Grandmaster’ press conference.

Although ‘The Grandmaster’ has been in general release in China, Hong Kong and Taiwan for a month and its Mainland box office even exceeded 290 million yuan RMB which is the highest for a Wong Kar-wai film, to Berlin film viewers it is still full of mystery. The premiere’s tickets were hard to come by, the remaining 3 shows also already selling out in 1 hour.

In order to take care of the overseas (especially European) market needs, Wong Kar-wai earlier stayed in the Bangkok editing room to remove 13 minutes from ‘The Grandmaster’s original 130 minutes running time to the less than 2 hour International Version. Reportedly the story structure also was adjusted slightly. “The pace is even more intense and the feeling is even more mature.”

Actually, Wong Kar Wai has a deep relationship with the Berlin Film Festival. ‘Days Of Being Wild’ and ‘Fallen Angels’ both participated in past festivals and won European and American film critics word of mouth. This year he is invited to be the jury chair. On the eve of the opening ceremony Wong Kar-wai led the jury members including actor Tim Robbins, Oscar Winning Danish director Susanne Beir, Venice Silver Lion prize winning Iranian director Shirin Neshat and others to meet the media and kicked off the 11 day long film festival.

Another with a Berlin connection was Zhang Ziyi. Her films ‘The Road Home’,Hero’ and ‘Forever Enthralled’ appeared there. Two days prior, Wong Kar-wai, Tony Leung Chiu-wai and Zhang Ziyi completed its Paris promotion and headed to Berlin at night. Zhang Ziyi’s 34th birthday was on the day after the Berlin premiere and four years ago she celebrated her birthday in Berlin.

Tony Leung was ailing when he met up with Zhang Ziyi in Paris, then they walked the red carpet in Berlin. Luckily his mother tagged along, even though he was overseas for this Lunar New Year he would not feel too bad.

 berlinale 1

berlinale 2

berlinale 3

berlinale 4

berlinale 5

berlinale 6

berlinale 7

Tony Leung gets more screen time in the international version of ‘The Grandmaster’

tony leung grandmaster

 Oriental Daily:

The 63rd Berlin Film Festival opens tonight, with the Wong Kar-wai directed ‘The Grandmaster’ opening the event. Yesterday morning, the film’s leads Tony Leung Chiu-wai and Zhang Ziyi flew from Paris for Berlin in preparation for the film festival opening.

The film’s international version is 8 minutes shorter than the 130 minute version shown in China and Hong Kong, but Tony Leung’s role in the film has increased. Two major scenes like Leung’s fight with Cung Le and Bruce Lee‘s childhood meeting with Ip Man will appear in the international version. Leung said, “I never thought that my role was less in the Mainland version, so I don’t feel anything too special about the added scenes. Instead I feel some adjustments to the story make it more intense!”

As for the fight scene with Cung Le, Tony Leung remembered it like it was yesterday as he joked that he was already scared off before the shoot. “I already had pressure from working on a fight scene with him. Every time I saw him he would ask if I brought any protective gear, which added to my pressure. As the shoot went on, his martial arts truly were very high quality. He was able to control them at will. Our collaboration was very pleasant.”

The international version is shorter than the version shown in China as director Wong Kar-wai deliberated and finally removed some of Zhao Benshan‘s scenes. Because his role discusses kung fu with metaphors, foreigners might not understand them and therefore he removed these parts.

cung le tony leung

Tony Leung will not film “The Grandmaster” sequel

[youtube=http://www.youtube.com/watch?v=9vRKCiXxAv0]

Oriental Daily:

Supported by Hong Kong University’s Culture and Humanities Fund, a dialogue session for the film ‘The Grandmaster’ was held at the Hong Kong University on January 31. The session was attended by actor Tony Leung, stunt coordinator Yuen Woo Ping, and martial artist Lau Kar Yung. Over one thousand tickets were given out to HKU students a few days prior to the session. All tickets were passed out in two hours. The waiting list for the session also exceeded 600 people.

At the session, Tony Leung openly talked about his filming experience on the set of ‘The Grandmaster’. Tony remarked that although it had a tough three-year engagement, he did not regret the experience. Art house director, Wong Kar-wai, never really made movies for money, but ‘The Grandmaster’ has now become his most commercially successful film in the box office. The film’s distributors are urging Wong to film a sequel, in which Wong is considering.

Leung is a longtime collaborator of Wong, but upon hearing that Wong may be working on a sequel, he immediately shook his head. Wong and Leung were earlier rumored to have had a falling out due to a disagreement on the film’s script and filming style. Leung insisted that he and Wong still get along really well; nonetheless, he expressed that he will not film ‘The Grandmaster’ sequel if it is to be made. The 50-year-old actor explained, “I want to try new things. I like staying fresh. If I do the same things over and over again, it won’t be fun.”

As ‘The Grandmaster’ took over three years to film, many actors in the film, including Tony Leung and female lead Zhang Ziyi, had complained about the harsh struggles in working on the film. Song Hye Kyo was also reportedly upset with Wong’s lurching and dragging filming ways, and declined to participate in the film’s promotions.

tony leung yuen woo ping lau kar yung 1

tony leung yuen woo ping lau kar yung 2

tony leung hku

tony leung hku

Tony Leung discusses ‘The Grandmaster’ at Hong Kong University

TGM

Sina:

Yesterday, Tony Leung Chiu-wai, Yuen Woo-Ping, and Lau Ka Yung attended the Hong Kong University’s “Who Is The Grandmaster film forum”. The 1000 seats were filled in two hours, with 600 people waiting outside. When Tony Leung appeared the crowd roared and gave him a standing ovation. 

Tony Leung attended an university forum for the first time. When asked whether the film will have a sequel due to good word of mouth he said, “No, I am not afraid of three more years in production. Time isn’t a problem, I just want to try something else to have a sense of freshness.” Reportedly the Berlin Film Festival screening will be an extended version, Leung asked director Wong Kar-wai to confirm this. He said that another version would not be fair to the audience, he might edit out some scenes that foreigners would not understand. He would not demand to add back his removed scenes as he thought that as it is now the movie is rather entertaining.

Reportedly Tony Leung was upset at the size of the role and he was at odds with Wong Kar-wai. Leung laughed and said, “Hahaha, you are killing me, am I this type of person? I have been friends with Wong Kar-wai for so many years that I wouldn’t mind. I am 50 years old, I have everything, what else do I want? Instead I have to learn to give, to do charity work on my free time, help those who aren’t as fortunate. I took two years off before, life was brilliant. When I woke up I would drink with friends until I fell asleep. With sustenance and responsibility, life would healthier.” After promoting the film in South Korea and the U.S., he will take two months off before deciding on his charity work. He was willing to do charity work with his wife Carina Lau Ka-ling as well.

Action director Yuen Woo-Ping praised Leung’s kung fu film prowess. He should not be compared to Donnie Yen, as their styles and specialties were different. Was Donnie Yen better? He said, “Tony is great too, they are great in different ways. Tony’s action sense is great, he is just being humble.”

After the two hour forum ended, they went to Mongkok for an audience appreciation and celebrated with a lion dance.

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung

Tony Leung 4

Tony Leung 5

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 2

Tony Leung 6

HKU

Tony Leung 7

Tony Leung 8

Tony Leung 9

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 3

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 4

Tony Leung 10

Tony Leung 11

Tony Leung 12

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 5

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 6

Tony Leung Chiu Wai, Yuen Woo Ping and Lau Ka Yung 6

Tony Leung 14

Tony Leung 1

Tony Leung 15

Wong Kar-wai changes film title for his son

tony leung wkw

InSing.com:

Renowned auteur and director Wong Kar-wai revealed that he changed the title for his latest martial arts epic, ‘The Grandmaster’, from ‘The Grandmasters’ after his son asked him why. “My son asked me why my film is titled ‘The Grandmasters’ when it was originally called ‘Grandmaster Ip Man’, then ‘The Grandmaster’. He said ‘wasn’t I making a film about Yip Man?’, so I got to thinking that although my film was about the many grandmasters Ip Man meets, ultimately, it is about a state of mind,” said Wong during his visit to Singapore with actor Tony Leung Chiu-wai recently. The 54-year-old went on to add, “There can be many grandmasters, but not all of them truly deserve the title of THE grandmaster.”

Meanwhile, the title was changed from ‘Grandmaster Ip Man’ to ‘The Grandmaster’ after it was discovered that Wong’s film and another Ip Man film were being made at around the same time. As its title suggests, the film which stars Tony Leung and Zhang Ziyi is inspired by the life of Ip Man (Ye Wen), who mentored the legendary martial arts star Bruce Lee. However, Wong stated that his film will illustrate that there is more to martial arts than violence. “The stories of martial arts films consist only of fighting, but actually all the martial arts styles showcased are well-founded.”

‘The Grandmaster’ will see a wide release in Singapore on 31 January 2013.

[youtube=http://www.youtube.com/watch?v=px1NHlgMxGs]

[youtube=http://www.youtube.com/watch?v=LzyoE320kK4]

Wong Kar-wai’s road to celebrated director

wkw3East Week:

Wong Kar Wai’s anticipated film, ‘The Grandmaster’, is now finally playing in theaters. The martial arts movie is a yet another biopic of the Wing Chun master, Ip Man, and is the fourth Ip Man feature film to be released in the last six years. ‘The Grandmaster’, however, is unrelated to Wilson Yip’s highly successful Ip Man trilogy, the series that started the current Ip Man and Wing Chun trend. In fact, Wong’s idea to make a biopic for the legendary martial artist was conceived more than a decade ago, when he was working on his 1997  film, ‘Happy Together’.

Known for his slow-paced art films, Wong’s productions never coincided well with mainstream cinema. His announcement on ‘The Grandmaster’ project pricked up ears, but despite past skepticism on Wong’s ability to do action cinematography, ‘The Grandmaster’ has been a box office success, and has become Wong’s highest grossing film of his career.

Wong is now an internationally acclaimed and award-winning director, but there is no such thing as overnight success. Although Wong was immediately propelled to stardom after the release of his debut feature film, ‘As Tears Go By’, in 1988, the long-awaited stardom took many years of blood, sweat, and tears.

Born in Shanghai, Wong and his family emigrated to Hong Kong when he was five years old. His family was not wealthy. Wong’s father was a sailor, and rarely had the opportunity to stay at home with his wife and son. Soon afterwards, Wong’s father found a job as a hotel manager in Malaysia, leaving Wong and his mother behind in Hong Kong. At the time, Wong’s mother used to bring him to the theaters every day to watch movies, which allegedly contributed to his interest in filmmaking.

Wong graduated from Hong Kong Polytechnic University in 1980, majoring in graphic design. After his graduation, Wong briefly worked as a sales clerk in a clothing store. In 1981, Wong auditioned for TVB’s scriptwriting class, where he met his wife Chan Yi Kan, a variety program producer for the television station.

Wong struggled as a scriptwriter during his days with TVB. Chan then encouraged Wong to leave the station to focus on directing and writing his own films. After Chan’s many long meetings with various film distributors and investors, Wong’s debut film, ‘As Tears Go By’, was finally released in 1988 by In-Gear Film Production. Chan also produced the film. ‘As Tears Go By’ was a critical and box office success. Grossing over $11 million HKD in the Hong Kong box office, the film received ten nominations at the 8th Hong Kong Film Awards, and won two awards.

Wong’s second film in 1990, ‘Days of Being Wild’, was an even greater critical success, receiving nine HKFA nominations and winning five, including Best Picture, Best Director for Wong, and Best Actor for Leslie Cheung. However, it was Wong’s 2000 film, ‘In the Mood for Love’ that shot Wong to international acclaim.

Wong, Chan, and their 16-year-old son currently reside in a million-dollar house in Repulse Bay. The low-key director is often seen eating in outdoor restaurants around the neighborhood. Wong’s son physically resembles a young Tony Leung, which may be a reason as to why Wong frequently collaborates with the actor.

After two weeks of release, ‘The Grandmaster’ has already earned 252 million RMB. The great care in which Wong Kar-wai took with each frame of the film, the props detail, and the action choreography were evident, resulting in a film of great visual beauty and precision.

‘The Grandmaster’ will be the opening film at the 63rd Berlin International Film Festival, which will take place in February. Wong denied earlier rumors that there will be a four-hour director’s cut of The Grandmaster, but acknowledged he is currently editing a different international edition containing slightly different content from the mainland Chinese version.

wkw1

wkw2

Martial arts epic ‘The Grandmaster’ reduced Tony Leung to tears

tony leung wkw 5

Yahoo! Singapore:

Yes, the normally stoic and calm Tony Leung was so overcome by emotion when he saw the final cut of martial arts epic ‘The Grandmaster’ that he cried. “When I saw the finished piece, I had a moment of extreme emotion, and I cried,” admitted Leung in Mandarin at the Singapore press conference to promote the film with director Wong Kar-wai on Wednesday. “I was overcome by the feeling — it was the fruit of four years of work and challenges.” Challenging would be an understatement — Leung, 50, reportedly broke his hands twice during training during filming, and he even began taking Wing Chun lessons three years beforehand to prepare himself for his role. The cast also had to film through rough weather conditions — toughing it out in China on the coldest winter in ten years and then later through a sweltering summer. The movie’s release was repeatedly delayed, reportedly due to Leung’s injuries and many scenes had to be cut as there was too much footage. But if box office figures are anything to go by, it looks like all that pain and suffering was worth it -‘The Grandmaster’ has grossed about S$2.3 million in Hong Kong and S$60 million in China so far.

Yahoo! Singapore finds out from the Asian cinema dream-team why exactly the film took so long to be made and if rumours about Wong and Leung being at odds are really true.

“I grew up reading martial arts novels as a child and I was always curious – was Chinese Kung Fu really as mystical as it seemed in the stories? Was it only something visually appealing or was it as invincible an art as what I read?” said the Shanghai-born Wong.  And so the notorious perfectionist set out on an arduous journey to find his answers, travelling across China to meet modern day pugilists and historians who were experts in the fields of Wing Chun, Baguazhang, Bajiquan, and Xingyiquan martial arts. “I found that it was indeed as mystical and as invincible as my stories — and I hope that this is reflected in the movie,” said Wong. Wong was so moved by his research that he made it a requirement for all his main actors to spend at least a year training under a kung-fu grandmaster in order to develop the “spirit” of a Chinese pugilist.

Discovering the ‘soul’ of martial arts

Veteran method actor Leung not only took on Wong’s challenge but took it a step further, training for three years until he was strong enough to break a wooden board that was a few inches thick with one blow. “You cannot find the true essence of martial arts in a book. You must find it through practice — it is something that will take root in you and grow by itself. After three years of experiencing it, I can start to go beyond the physical aspects of kungfu to find it’s true spirit,” said the intense Leung, who plays the titular character in the story, Ip Man. When asked if he ever thought of giving up when he was injured, Leung, who looked taut and trim in a white shirt and black cardigan, paused to find the right words to express himself. “It (broken hands) was no big deal, you can also injure yourself exercising. What was frustrating was that I had to start all over again. I had reached this level at my training, and then the injury, and I was back at square one. But you just have to figure out how to overcome it.”

Comparisons with Donnie Yen’s Ip Man

However, fans expecting a straight-up, action-packed reboot of Donnie Yen‘s 2008 smash hit “Ip Man” may end up disappointed. Wong’s filming style remains cinematic and highly stylised with plenty of slow-mo cuts — the focus being on the actors and their expressions of inner turmoil. “To play Grandmaster Ip Man, Leung needed not just strength in body but also spirit and mind. He has exceeded my expectations of him as an actor — this movie will show a totally different side to him,” said Wong – high praise from a man of few words. “He(Leung) has attained a very high level of acting – by just moving one muscle, he can completely change the expressions on his face and the feel of his performance.”

Did Leung and Wong fall out?

It seemed like a silly question to ask after Leung and Wong had bantered with and praised each other repeatedly during the press conference, but rumour has it the two fell out after the release of ‘The Grandmaster’ because Wong had cut many of Leung’s scenes, placing the limelight on Chinese actress and co-star Zhang Ziyi instead. Korean actress Song Hye-kyo, who plays Ip Man’s wife, only received six minutes of screentime and has been conspicuously absent from all promotional tours for the movie. Rubbishing the rumours, Leung said that he was not even sure himself how many cuts had been made. “If Wong were to use all the footage, the film would be four to five hours long. Look at me, the product I am is the results of 49 years of experience, and it’s impossible to share everything about me in one breath. The finished product is Wong’s product — I don’t see it as a waste or a pity.”

Leung also described the relationship between him and Wong as being one of “complete trust” and “unspoken chemistry” borne of 20 years of friendship and seven movies together. “We have known each other for 20 years. Although we don’t talk very often, we have a relationship of absolute trust. When you work with someone you trust completely, you only have to focus on yourself,” said Leung. However, he was coy about actress Song’s absence. “I have a lot of empathy for Song. I have shot many movies that are not in my native language and I know how it feels when you don’t understand the language. It’s like you’re deaf and dumb,” he said.

One last thing — Wong would like you to know that no expensive qipaos (Mandarin gowns) were damaged by Zhang Ziyi during the three years of filming. “She (Zhang) is a very cultured lady of impeccable bearing. She would not even sit in between takes so that the dress would not get wrinkled or untidy. I have told the young actors to learn from her,” said Wong with a laugh. “Be aware of your appearance, your behaviour and the impressions you make,” he intoned, tongue in cheek.

tony leung

Tony Leung jokingly asks Wong Kar-wai to treat actors nicely, denies feud with director

tony leung wkw 1 Sina:

Actor Tony Leung Chiu-wai and director Wong Kar-wai earlier promoted ‘The Grandmaster’ in Singapore. Reportedly actress Song Hye-kyo was upset at being left with only one line and was absent from the promotion for the film, Leung expressed sympathy and even asked Wong Kar-wai to treat actors kindly!

Tony Leung and Wong Kar-wai arrived in Singapore with a crew of ten, including Leung’s private security and security guards hired by the film’s production company. During the interview, Leung explained that actors who work with Wong Kar-wai are never certain about their characters. Leung said, “When I made his movies before, I never had a time that I was as certain as this time. I only knew what I was playing. Theirs (other actors’ roles) I didn’t know about. I hope the director would one day ‘treat them kindly’!” Speaking of Song Hye-kyo only having one line in the film, Leung “sympathized”. Wong Kar-wai said, “Not every actor is as mature as Tony!” However he also denied that Song Hye-kyo was upset.

Leung dismissed rumors of tensions and unhappiness with his director over having some of his scenes from the movie cut. “I don’t harbor any unhappiness or ill feelings toward Wong because I respect and understand his decision,” Leung said in response to a question. “The decision is entirely up to him to decide how his story should be told.”

‘The Grandmaster,’  is Leung’s seventh collaboration with Wong and recounts the life story of Chinese martial arts legend Ip Man, famous for having trained Bruce Lee. “I wanted to see a different Tony for this movie and I believe that ‘The Grandmaster’ has proven to be a new challenge for him both physically and emotionally with the amount of time taken to film it,” Wong said in support of Leung. “It is a new way of showcasing the character of Ip Man so it was physically challenging for Tony to undergo training for so many years just to prepare for the role.”

Wong Kar-wai’s movie is full of mystery, but actually he is very mysterious himself. Because he has not removed his sunglasses for years, reporters joked if ‘The Grandmaster’ was a hit would he celebrate by taking off his sunglasses? He made a rare joke and said that he only had one pair of sunglasses and was very faithful. The tender look behind the sunglasses would only be saved for his wife.

 

Tony Leung has to watch ‘The Grandmaster’ 9 times to understand it

promotion 1

Sina:

Tony Leung Chiu-wai, Zhang Ziyi and other actors continue to promote their film ‘The Grandmaster’ nonstop. Leung promoted the film in Guangzhou with Ip Man’s oldest son Ip Chun and Max Zhang Jun. Critics praised Leung for having a grand master aura. He humbly said that now at this age he would not lose his head over compliments but would appreciate everyone’s support very much. He has already used his greatest strength as an actor to perform. Leung even said that he believed he had to watch the film until the 9th time before he would be done, because he watched the first time for what scenes were removed, the second time for his own expressions, the third time or other actors’ performance, the fourth time for the story structure, the fifth time for costumes and sets, the sixth to the ninth time he would finally consider in depth what director Wong Kar-wai wanted to say. He revealed that the most regrettable decision was not being able to provide his voice for the Mandarin version, he even joked that if life had no regret it lacked joy as well.

Tony Leung said, “Once Stephen Chow Sing-chi said, ‘Let me tell you what Wing Chun is.’ I said, ‘I know.’ He said, “We are friends, I know you are studying this, I just want to help. After you hear what I say if it’s useful use it, if not then whatever.'”

Zhang Ziyi went to Beijing cinemas for close distance exchanges with the audience. She even turned into “Master Gong Er” and practiced the Eight Trigram palm with the audience. Would actors blame directors who work slowly like Wong Kar Wai? Zhang Ziyi said that the energy that he put in would definitely be more than that of the actors. Thus she loved Wong Kar-wai for giving a lot from body and soul; she even revealed that she will work on a John Woo directed film soon.

Wong Jing (director of Young And Dangerous: Reloaded which was defeated at the box office by ‘The Grandmaster’) earlier online took a jab at Wong Kar-wai for spending so much time and money on ‘The Grandmaster’, but after watching the film yesterday he finally praised Wong Kar-wai online.

Yesterday morning Wong Jing wrote, “I realize that people who dislike ‘The Grandmaster’ really don’t understand what his intention is. Do you think Wong Kar-wai can’t make the entire film as exciting and entertaining as the battle in the rain and Ziyi eradicating Zhang Jun at the train station? However that would be no different from WilsonYip Wai-shun’s ‘Ip Man’, he must use all of Wong Kar-wai’s style to make this film well in order for it to be a real success! I admire that you are able to withstand countless pressure to make the movie like this. From 1988 to now, this is the first time that I completely concede.”

promotion 2

Song Hye-kyo slaps Tony Leung in ‘The Grandmaster’ featurette

[youtube=http://www.youtube.com/watch?v=RbdGMyhECrs]

Sina:

Two days after being released in Hong Kong, Wong Kar-wai’s ‘The Grandmaster’ accumulated HK$2.82 million at the box office (excluding late shows). With stronger and stronger momentum it pulls away from the same week release, Wong Jing’s‘ Young And Dangerous: Reloaded’; the latter grossing only HK$860,000 over two days.

Wong Kar-wai initially cut ‘The Grandmaster’ into a 4 hour version. Due to running time restrictions he cut it down to the current release of 130 minutes; many scenes were “missing”. A newly-released production special showed glimpses of some of the deleted scenes. Tony Leung personally explained Ip Man and talked about his kung fu training.

In Tony Leung’s eyes Ip Man was mild mannered and elegant, he did not resemble a kung fu person; he rose and fell and in the end he was able to calmly be himself. Wong Kar-wai hoped that Leung’s Ip Man performance would be a mix of Ip Man and Bruce Lee. He tried to combine them for the effect. Leung said that Ip Man enjoyed kung fu as much as Bruce Lee but normally he was so mild mannered that no one knew he could fight. He said that Bruce Lee was his childhood idol. When he was 7 or 8 he was already a kung fu fan. Because his family was poor and felt that he would get into fights after learning kung fu, he was not permitted to learn.

When he explored the character, he thought that the character’s appearance could be expressed through technique. Yet if he did not understand the inside of the character he had no way to express its aura, which was not something that could be achieved over night; this his long term training was necessary.  “The first the fracture was only a hairline, the second time it was already cracked like shark teeth!” Because he did not want to hinder the progress, Leung originally wanted surgery but the doctor did not suggest it. He could only tell Wong Kar-wai to wait 4 months for him; thus Wong Kar-wai could only head to the Northeast of China and shoot the Zhang Ziyi train station duel first, but he ran into the coldest winter in history. Zhang Ziyi had to shoot in 30 degrees below zero.
Wong Kar-wai revealed that Tony Leung was reluctant. After recovering for about three weeks he headed to the Northeast to look for him and said that he could work on dramatic scenes. In the film Ip Man said that if life had four seasons, his before age 40 was all spring. Turning 50 this year Leung said, “Now is still spring for me. Because I have been very lucky to run into very excellent film people to work with. Making this film has changed my view on life. In the future I will choose to be optimistic because the character of Ip Man is different from my characters in recent years. My recent characters are all depressed, but this time he is very positive and optimistic. Now I like to happy and joyous, I feel the world has hope. Thus after ‘The Silent War’ I wanted to make some happy and warm movies.” 

In the production special the removed scenes included Tony Leung and Song Hye-Kyo’s sweet romantic couple scene, Ip Man sweetly smiling with his wife in his arms. When the Japanese military arrived, they got into a struggle and she slapped him. In the released version of the film, Chang Chen’s exciting duel with Leung at the end of the film was removed. His appearance with a razor to fight Leung was also unveiled.

Leung in one scene washed his wife’s (played by Song Hye-kyo)’s feet. He said, “I was forced to, Wong Kar-wai asked me to choose between bathing my wife or washing her feet. I could only choose washing her feet.”

The production special even uncovered that Ip Man once visited Master Gong Er in the Northeast. Leung in the drifting snow passed through the plum blossom courtyard, where they encountered each other again. Leung said he did not mind so many scenes and dialogue being cut because ‘The Grandmaster’ was Wong Kar-wai’s film. The director shot so much that cutting was necessary. Chang Chen agreed with Leung and said that he did not mind.

The featurette also revealed Julian Cheung Chi-lam as two characters, not only as a Chinese Opera actor but also Zhang Ziyi’s fiance. In this scene he only made an appearance in a flash.

Although the film received good response, Leung never thought about winning Best Actor with this film again because that was not his goal for making the film.

slap

song ye kyo tony leung

tony leung 1

tony leung 2

tony leung 3

song hye kyo tony leung 3

song-hye-kyo-tony-leung-1

song-hye-kyo-tony-leung-2