Song Hye-kyo Meeting with Wong Kar-Wai, Confirmed to Be Playing Yip Man’s Wife

Actress Song Hye-kyo met with director Wong Kar-wai on 19th October 2010 to discuss the progress of filming The Grand Master. Paparazzi managed to film the secret meeting and were able to capture exclusive images of reference photos shot for the film.
The first photo on the right is Song Hye-kyo with Zhang Ziyi (wearing a man’s suit).
The other one is Hye-kyo, Tony Leung (as Yip Man) and the actor playing their son. This pretty much confirms that Song Hye-kyo is playing Yip Man’s wife.
Wong Kar-wai began reshoots of the film starting in mid-September.

Credit: wloi @ Soompi.com

See the video shot by the paparazzi at the following link:
http://hk.sw.nextmedia.com/template/sw/art_main.php?iss_id=796&sec_id=1000863&art_id=14602421

UPDATE: Larger scans added (click to enlarge).

The Grand Master undergoing reshoots?

With the release of a promotional poster for The Grand Master it was expected that the film would be finished sooner rather than later.
However, a person purporting to be a crew member on the film has been tweeting messages on their Weibo account (Asian version of Twitter) which suggests otherwise. According to the staff member, they have recently been shooting scenes with both Tony Leung and Song Hye-kyo in a secret location in Guangzhou.
They were shooting past 4 a.m. as the child that Hye-kyo has been carrying was crying non-stop, and they needed to re-shoot it many times.

A photo of the meal schedule for the 21st of September for The Grand Master crew:

Breakfast: 06:30-08:00
Lunch: 12:00-14:00
Supper: 18:00-20:00

If the report of reshooting is true then it would certainly push back the intended release date for the Lunar New Year, making a Cannes 2011 premiere more likely. Director Wong Kar-wai has a habit of reshooting scenes as he spent three days re-shooting the final kiss in My Blueberry Nights.
Song Hye-kyo is scheduled to begin work on a new film (directed by Lee Jeong-hyang) in October.
However, Tony Leung won’t start work on his next film (directed by Derek Yee) February of next year.

http://t.sina.com.cn/1527186771
http://tieba.baidu.com/f?kz=897058853
Credit: wloi @ soompi.com

UPDATE: They were filming in Chikan Movie and Television City.

Tony Leung talks about The Grand Master at a Cartier event

Tony Leung attended a Cartier event in Shanghai.
Lately busy with the Wong Kar-Wai directed The Grand Master (Yut Doi Jung Si), Tony said, “Before the shoot, I have already begun to study Wing Chun. The production has been rather tough, I was also injured and hindered the progress.” Did he fall for Wing Chun because of it? Tony honestly said “No, my favorite is still running!”

http://eladies.sina.com.cn/news/p/2010/0920/07171019340.shtml

Song Hye Kyo on a Taiwanese talk show

In a recent appearance on a talk show in Taiwan, actress Song Hye Kyo discussed some recent events in her life, saying she has been filming for Wong Kar Wai’s The Grand Master (一代宗師). “I’m putting in a lot of effort and always learning new things on the scene.” She also added, “It’s not easy, but I get a lot of help from people around me.”Song plays the lead role The Grand Master (一代宗師), directed by auteur-director Wong Kar Wai, and is currently busy filming alongside such renowned actors as Tony Leung, Zhang Ziyi, and Chang Chen.

http://en.korea.com/blog/enter/movie/song-hye-kyo-on-a-talk-show-in-taiwan-keeps-remains-silent-about-hyun-bin/
http://www.tvdaily.co.kr/read.php3?aid=127951718773996002

Norah Jones on My Blueberry Nights

Norah Jones has a small role in upcoming film ‘Wah Do Dem’.
She talks a bit about starring in My Blueberry Nights in an interview with The AV Club:

AVC: The reception for My Blueberry Nights was pretty rough, and some of the reviews singled you out for your inexperience. Did you have any sort of trepidation about going in front of the camera again?

NJ: No, I don’t. I think I did what I was supposed to do in that film, because the director… There was nothing to prepare for. There was really no script to prepare with. He instructed me very explicitly to not take acting lessons. He likes to place his actors or whoever they are, whether they’re actors or not—you know, whether I was good or bad, or whether people liked it or not, I had a great time. I love film, and I would love to be a part of something that people universally love as a piece of film. Sure. Of course I would. And I would love to take acting lessons, and see that side of it someday. But I’m a musician. These two films I’ve done, I’ve done because even though they’re very different, they’re kind of loose and they seemed interesting. I felt like they were just another way to be creative, both at times in my life and career where I’ve been a little burnt out on doing what I do. So they both kind of have had a similar placement for me.

AVC: I’ll be honest, it’s not one of my favorite Wong Kar-wai movies.

NJ: Oh, mine either! [Laughs.] You know, whatever. [Laughs.]

AVC: Wong was clearly working out of his element, and without a lot of his regular collaborators.

NJ: Exactly. And I think for him, the language barrier—he speaks great English, but I think things are always more poetic on subtitles, so… [Laughs.] But I still loved making the film. I loved working with him. And I also loved, just visually his films are so beautiful. That one was no exception. And that was just really fun.

AVC: And whatever else, you get to—

NJ: I get to be pretty. If you’re a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it’s kind of exciting. [Laughs.] You know? I don’t usually look good like that, so—

AVC: There’s a lot of anticipation for all Wong Kar-wai’s movies, and that inevitably leads to disappointment sometimes.

NJ: He just has such a cult following. And I think, of course, if he’s going to make a movie in America with some famous movie stars, he’s going to get jumped on no matter what. It was great, though. It was really fun. I mean, some of the actors I got to work with, that was a great acting lesson right there. Watching them take what they were given, which was probably not traditional for what they do either. Even though I was out of my element, I felt like everyone kind of was in that film, which made it interesting from my perspective.

http://www.avclub.com/articles/norah-jones,42847/

Casting call for The Grand Master

As I suspected filming on “The Grand Master” continues.
Credit to: http://www.soompi.com/

Here’s a casting call for hiring supporting actors/actresses for the film:

*Auditions for a maid, to start filming end June / early July, accommodation will be provided.
Audition to be held on 9 June.
Age: either 13-18 or 25-30.

*4 replacements for Tony Leung, Zhang Ziyi, Chang Chen and Song Hye-kyo, as well as a number of actors for portraying students.
The audition is on 13 June.

http://www.gzucjob.com.cn/showjob.asp?id=1425
http://www.soompi.com/

Julian Cheung in The Grand Master

Actress Anita Yuen Wing-yi spoke about her husband Julian Cheung Chi-lam‘s involvement in “The Grand Master”.
She said that he has become much thinner because he was busy with Wong Kar-wai’s new film.
She said, “I don’t know what Wong Kar-wai told him. Now whatever he eats he has to weigh first and always work out until very late. His weight loss process seems to reach obsession level. He shrinks down day by day and I swell up day by day. I don’t even know what role he is playing. When I called the film company to ask, they said it was none of my business.”

http://ent.zjol.com.cn/05ent/system/2010/06/26/016711781.shtml

ITMFL on Empire’s 100 Best Films of World Cinema

British magazine Empire picked the 100 Best films not in the english language.
Wong Kar-wai’s “In The Mood For Love” was ranked at number 42.

The entry:

Why so great?
Wong Kar-wai’s achingly romantic account of star-cross’d lovers has a strong claim to be the best-looking film you’ll ever see. The ’60s costumes, neon cinematography from genius DoP Christopher Doyle and unspeakably gorgeous cast will catch the eyes while the tale of two neighbours, who discover that their spouses are cheating on them and fall in love with one another while trying to deal with the revelation, tugs the heartstrings. Melancholic, perhaps, but as inspirational as Yo-yo Ma’s bittersweet performance of the score. 
Hollywood remake?
Not quite, but the film has been riffed on in Lost in Translation, which lifted its famous whispered goodbye from a similar scene here. 

Prizes
No Oscar nomination, but a BAFTA nod and wins at the Césars and Cannes to soften the blow.
http://www.empireonline.com/features/100-greatest-world-cinema-films/default.asp?film=42

The top 10:
1. Seven Samurai
2. Amelie
3. Battleship Potemkin
4. Bicycle Thieves
5. Pan’s Labyrinth
6. Battle of Algiers
7. City of God
8. The Seventh Seal
9. The Wages of Fear
10. Spirited Away

The full list: http://www.empireonline.com/features/100-greatest-world-cinema-films/